Jazalau, 2020, Maily boiau, ağash, 76,0 sm × 75,0 sm

The painting followed Nurakhmet’s visit to a relative’s farm. IADA’s Panopticon essay connects the confined horses and the light entering their barn with discipline and the persistence of outside authority in rural life.

Körmelerde: Panoptikon: Tūraqsyz tän